GE 1996-7 Season 3 Episode 22: Andre Lander
Note: this is not a transcript, but a working draft of the script, so there may be differences in the aired version.
PAUL: As he promised back in January Andre Lander, the Chief Rotologist and
Senior Vice President of Imagonics returns. Welcome back to the show.
ANDRE: Thank you.
PAUL: Because of some minor ... shortcomings ... with our ratings Mr. Lander
was commissioned to analyze this show's image.
ANDRE: As well as that of the host.
PAUL: Indeed. But since that first meeting, news comes that our ratings
have skyrocketed. We are holding our own in Newfoundland and Iceland
and in Canada ... well ... smash-hit hardly seems hyperbole.
ANDRE: And you are thinking that you no longer need our help.
PAUL: You got it. It's been a pleasure, Sayonara.
ANDRE: This phenomena you're seeing in the numbers, we in the business call
it the Benmurgui Blip.
PAUL: Meaning?
ANDRE: Someone who is, in fact, very unpopular with the audience, does a
good job of a couple of particular shows or a special or something
and the audience response shows high only because expectations were so low.
PAUL: Really?
ANDRE: Benmurgui did a bang-up job hosting a couple of awards shows ...
PAUL: (GASPS) I did an awards show!
ANDRE: The brass gives him a late night slot, hires some crummy writers,
dresses him like a pimp, the show is a disaster and next thing you
know Ralph's a glorified commissionaire at the Broadcast Centre.
PAUL: Cripes. We can't have that happening.
ANDRE: We've worked up a new image for you that will set the show in
a better direction.
PAUL: What does it entail?
ANDRE: The listener wants a newer, younger, more vibrant Paul.
We've arranged for you to undertake a vigourous fitness program.
PAUL: This is radio Lander, nobody can see me.
ANDRE: That's another problem. To put a face to the voice we've planned a
speaking tour for the summer, after dinner stuff right across the country.
PAUL: (facetious) Great.
ANDRE: We've determined that your voice doesn't resonate with Canadian
listeners, it's too ... how can I put this delicately ... too rooted
in Newfoundland.
PAUL: You can't argue with genetics Andre.
ANDRE: No but our voice coach can help.
PAUL: Look how much of myself am I expected to give! I'm very tired you
know. During the strike I was putting in nine, ten hours a day, six days
a week. Last week I'm on assignment and I go through the ice, I NEARLY DIED!
This deranged Scot has been staulking me since October ...
ANDRE: How do you feel about a hair piece ....
VOX DOC
SFX: Paul enters small recording booth. Voice speaks to him over talkback speaker.
VOX: Have a seat.
PAUL: Sure.
VOX: This is a vocal analysis of ....(shuffling papers) Paul S. Moth -- broadcaster,
public. O.k., comfortable?
PAUL: Ya -- but I--
VOX: Yes?
PAUL: I usually have a different mic.-- a Krupps Funkensch--
VOX: Oh, don't worry about that. Now, could you laugh please.
PAUL: What's funny?
VOX: Just fake it.
Paul laughs heartily.
VOX: Now could express some concern.
PAUL: Are you okay?
VOX: How about deep concern, compassion.
PAUL: I'm am so sorry. Really I am.
VOX: Could you run a few together?
PAUL: Like?
VOX: How about a big laugh ... hilarity ... into that compassion and then sincere interest.
PAUL: HA HA HA HA! But a genuine loss to all of motor racing. He was travelling how fast?
VOX: Okay we've got a little trouble with the laugh. Can we have like a side splitter.
PAUL: HA HA HA HA!
VOX: (coming atop) Piss youself funny.
PAUL: HA HA HA HA! Like that?
VOX: Very good. Now, you're familiar with the stutter question.
PAUL: No.
VOX: Scripted question, answer known, but trying to sound spontaneous.
PAUL: Oh yeah, yeah, I do that already.
VOX: Can you run it by me.
PAUL: O.k., so, if -- d-you...reading this, I... I felt, I guess the word
is-- there's a masculine-feminine thing going on here, isn' there?
VOX: That's good. You could stretch it out some more, if you wanted to.
By the way, what kind of vocal exercises do you do before your show?
PAUL: (goes through strange horking/humming routine)
VOX: O.k., we'll work something out for you. One last thing -- can you
read that paper in front of you?
PAUL: Hullo. Paul Moth here. Good Saturday morning Newfoundland.
....
LARRY: A speaking tour! How exciting! I'm glad you came to me.
You can't go traipsing around the country looking like some
middle aged ex-junkie in recovery.
PAUL: But I am a middle aged ex-junkie in ...
LARRY: Hercules Man-Size, this place is great, for the love of god
Paul do not embarass me.
SFX: Bell ringing.
SPIRO: Lawrence!
LARRY: Spiro!
SPIRO: How can we help you today?
LARRY: Acquaintence here is off on a tawdry self promotional junket
to prop up a waning career.
SPIRO: Show business?
PAUL: Sort o--
LARRY: No, radio, but he does need to look a bit flash and
r-e-s-p-e-c-t-able en publique, if you catch my drift.
SPIRO: Yes, I see the problem.
PAUL: Heh, I like the looks of that guy ... in the poster there.
SPIRO: Ah, yes, but....
PAUL: You don't have that in stock?
SPIRO: (uncomfortable laugh) We do, but...
LARRY: What Spiro's trying to tell you, Paul, is that that suit looks
great on a strapping young Milanese, but it would make you look
like an imbecile.
SPIRO: Ah, y---es.
PAUL: I see.
SPIRO: But we must play to your strong suit --ha, ha, -- strong suit.
LARRY: Touchay, Spiro.
PAUL: My strong suit. Right.
SPIRO: You are tall.
PAUL: Right.
SPIRO: You are (searching) ... quite tall. Yes. What about something
more casual, trousers, a sweater -- understated.
PAUL: Well, that sounds goo--
LARRY: Oh, how dreadfully CBC, how drear-ry.
SPIRO: I have a look. Wait here.
PAUL: Listen Larry I don't want any of this measuring of the inseam foolishness.
LARRY: You are so uptight. Give it up.
SPIRO: Hmmmm? What do you think?
LARRY: It's exotic.
PAUL: What would you call this?
SPIRO: A boiler suit.
LARRY: It's a boiler suit.
PAUL: I don't ...
SPIRO: It flatters ... your shape.
LARRY: Yes the tenting would mask much of ...
SPIRO: With riding boots. In a mustard or a chartreuse.
LARRY: Yes! To bring out the yellow in his eyes.
PAUL: You guys are having me on.
LARRY: If I was to tell you two years ago that the platform shoe was coming back.
PAUL: True.
LARRY: Very thirties, very radio, very Tin-tin.
SPIRO: Now, how do you dress?
PAUL: Sorry?
SPIRO: How do you ...
LARRY: A moment please Spiro.
Spiro off.
LARRY: He's asking .... he asking on which side your penis hangs.
PAUL: Why does he need to know that.
LARRY: For the tailoring. You promised you wouldn't embarass me.
PAUL: I just don't see why ...