GE 1998-9 Season 5 Episode 6: Complete Script
Note: this is not a transcript, but a working draft of the script, so there may be differences in the aired version.
THE GREAT EASTERN
EPISODE # 6 - “THE FUNKS”
FIRST BROADCAST - OCTOBER 17, 1998
WRITTEN BY EDWARD L. RICHE, STEVEN P. PALMER,
& MACK FURLONG
PRODUCED BY THE CANADIAN BROADCASTING CORPORATIO
DOUG: THE BCN INTRO
THEME
CLIPS
WACKA-WACKA
PAUL: Ca va, Canada, how are you
now! Gothann die-inn,
Iceland! Newfoundland, goo
goo ga joob !
On today’s show: old salts
and new; a bird from Malta
joins the chase; excitation
in numbing plenitude; and the
ancient Bone Heads of the
Funks !
All this for you, with me, on
The Great Eastern, Nfld.’s
Cultural Magazine !
PAUL: Whew ... what a week.
Last Saturday, BCN’s Rear
Admiral, director of radio Ish
Lundrigan, charged me with the
investigation of the condition
of our erstwhile weather
watchdog, Erling Biggs.
Erling is currently seven
months into a year-long
rotation manning our mighty
repeater station on the lonely
Funk Islands.
There are disturbing reports
concerning his emotional
“well-being”. This is not a
sign of weakness in our Biggs.
The 12 month turn on the Funks
has not once been completed.
That’s not entirely true.
Morris Jesso in fact did 24
months, but that’s something
... else.
Treeless, barren, 49 degrees,
45 minutes north, 53 degrees,
11 minutes east, the Funk
Islands are comprised of
several reefs out in the
roaring North Atlantic.
Brennan Rocks, Little Funk,
Grand Funk, Blue Funk, and the
only shoal that regularly
stays above water, the islet
that supports the huge metal
tracery of the BCN Eiffel Reid
tower, Funk Island itself ...
the outpost to end all
outposts.
Perhaps you’re familiar with
the name, but can’t quite
place it. Funk Island, the
final and only home of Nfld’s
giant, flightless bird, the
now-extinct Great Auk, and
still sanctuary to countless
million turres, puffins, etc.]
I set out on Monday morning
from the capital. This, then,
is my audio diary of a Trip to
the Funks.
SFX: DUFF MUSIC CROSS TO INTERIOR ROAD
CRUISER.
PAUL: Phht, phhht. Day One, 1:47 p.m.,
just out of Goobies. (clears
throat) Aboard a chilly Shea’s
Roadcruiser, which is a three-
syllable word for bus, we’ve just
left our lunch stop at Goobies.
The passengers hope that the
warmth of the food may help keep
us from freezing in the back of
this Newfie ‘collectivo.’ Pecera,
(g)wah (g)wah buggy
Though I fear that my seat next to
the quaintly named ‘bathroom’ will
see more action than the heaters
will. Whoosh ...
The crossroads at Goobies serves
as a marker for travellers in
Newfoundland, signaling the
departure from civilization and
the entry into the poorly charted
and unsuccessfully governed areas
of the so-called “Province”.
Awwwgh, onion rings coming back on
me...
But I precede myself. Just
getting to the Funks is a
journey in itself. From
Goobies, this road-cruiser
will take me only as far as
Gambo. Then it’s a wait of
anywhere from one to 12 to 48
hours for the pile-driving
coach trip to the wild
frontier town of Valleyfield,
gateway to the Funks.
Brrrrr ... if I survive this
draught.
SFX: COME UP ON ROARING HEARTH IN
DINING AREA OF THE ROSA POND
RANCH.
PAUL: (Warming his hands at the
fire) Ahhhh. Warmth.
Fortunately, while waiting
here in Gambo, I’ve lucked
into a heaping helping of the
legendary hospitality of
George Cartwright. Mr.
Cartwright is owner-operator
of the Rosa Pond salmon farm.
This sprawling ranch house he
calls home is a welcome way-
station for weary travellers,
famous for the wonders that
emerge from its kitchen. Mmm,
mmm, mmm, smells like mighty
good chow.
GEORGE: Chow mein actually. Dinner
should be almost ready. Tsing
Tao?
TSING: Leddy, Mr. Cartlight.
SFX: DINNER BELL RINGING.
GEORGE: The boys should be along
presently -- rounding up a few
smolts that got out of the
pen.
PAUL: (putting chaw in) It’s awfully
kind of you to welcome a
stranger to your table like
this, Mr. Cartwright.
GEORGE: Call me George. Have a seat.
PAUL: Thank you kindly.
SFX: THEY SIT AT THE TABLE.
GEORGE: Reckon you’re a radio man ?
PAUL: (Paul’s got the big jaw of
backy on the go) Yup.
GEORGE: Heading up Badger’s Quay way I
hear.
PAUL: That’s right. Trying to make
it to the Funks.
GEORGE: The Funks?! This time o’
year?
PAUL: You heard me right. I got to
find a man up there.
GEORGE: Not a yellow journalist, are
ya?
PAUL: No, sir.
GEORGE: Well, why don’t you just spit
on the floor there.
SFX: THE BIG SPIT.
GEORGE: I’m a man who believes in
mindin’ his own business, but
you could be headin’ for some
trouble.
PAUL: I ain’t lookin for none.
GEORGE: Don’t get me wrong, they’re
good folks in Valleyfield, but
that’s Pentecost territory --
they don’t take kindly to
strangers with microphones --
leastways that’s what I hear.
PAUL: I don’t scare easy, George.
GEORGE: You got a hankering to head on
up there, I won’t stand in
your way. Sherriff’s an
ornery cuss, though, Erb Wyatt
-- you wanta watch yer back,
ya hear me?
PAUL: Yessir. When are we strapping
on the feed-bag, George ? I’m
gut-founded.
GEORGE: Ah, here’s my boys now.
BOYS: Howdy pa.
GEORGE: This here’s Mr. Paul Moth.
Media man out o’ William
Carson City.
PAUL: Boys. (spits)
GEORGE: This is my oldest, Moose.
Runs the farm.
MOOSE: Howdy.
PAUL: Howdy Moose.
GEORGE: And my middle boy, Joey -- the
little fella from Gambo, they
call him.
JOEY: I was a journalist myself --
yes, worked for three papers -
- not one paper, not two
papers but three--
GEORGE: Yes, Joey. And this is my
youngest boy, Adam, runs the
amateur theatre company in
these parts.
PAUL: Howdy.
ADAM: Well howdy yourself, pardner.
How do you find our little
outfit?
PAUL: It’s wonderful.
ADAM: Really? I find it stifling,
I’m desperate to get out of
here...
TSING TAO: Chow time!
ADAM: What tasty treats do we have
tonight, Tsing Tao?
TSING TAO: Cats meat, pig’s feet,
dumplings boiled up in a sheet
... jowls and cavalancers--
ADAM: Oh spare us the ridiculous
accent, Tsing Tao -- he’s from
Wesleyville.
GEORGE: Dig in, Mr. Moth.
PAUL: Oh my!!!!
SFX: ARRIVAL OF COACH .PAUL DOESN’T
EVEN GET TO EAT -- WHISTLES,
“HYAH! GIDDY-UP THERE!”
GEORGE: Fraid that’s your coach now.
Best grab your kit and head
out -- never know when another
one might be along.
PAUL: Oh, damn.
ADAM: Y’all come back now, ya hear?
PROMO: UNIVERSITY OF THE AIR
SFX: PAUL WHARFSIDE IN VALLEYFIELD/
BADGER’S QUAY. THE BELL
TOLLS, THE GULLS SQUAWK,
ETC...
PAUL: (blowing into mic., exhausted)
Day two, 4:12 p.m.... No
boatman in Valleyfield willing
to risk the journey, so after
a miserable night on the old
attendant’s cot of an
abandoned gas station, I’ve
come on foot to Badger’s Quay,
my last hope, this squalid
alehouse of ancient mariners,
the Skull and Brine. (deep
determined breath)
SFX: GOES TO OPEN DOOR TO ALEHOUSE.
PAUL CRASHES THROUGH DOOR INTO
ANCIENT PUB, THIRTY SALTY
TYPES “ARRRH AND NARRRH”.
PAUL BELLOWS
PAUL: I need a man who’ll take me to
the Funks.
SFX: LOW MUTTERING OF ARRRHS AND
NARRRHS
PARROT: To the Funks, to the Funks.
SFX: PEG LEG ACROSS PLANK FLOOR TO
PAUL
JERRY: I’ll take you to the Funks,
but BE WARNED!
PAUL: Yes?
JERRY: It’s not cheap.
PAUL: No?
JERRY: Sixteen Guineas!
PAUL: Return?
JERRY: Think you’ll be coming back,
do ye ?
PAUL: I do. The name’s Moth, Paul
Moth.
JERRY: Ah, the radio man! I’m Gerald
Kean, but call me Jerry, with
a “J”.
PARROT: All this for you with me!
Don’t Probe Me, Don’t Probe
Me.
JERRY: Bird goes by the name of
Lucy. She loves your show!
PARROT: Oh my, Oh my. 520 on the
longwave!
PAUL: That’s wonderful, when can we
leave?
JERRY: The bird’ll know, has a feel
for the rip tide.
PAUL: The bird ? So what, tomorrow?
PARROT: Tomorrow, tomorrow.
JERRY: There it is then, tommorow.
PAUL: Wait, you sure that she wasn’t
just … parroting ?
JERRY: Maltese Parrot. No.
Tomorrow, Lucy?
PARROT: Tomorrow, Lucy.
JERRY: There, see! We’ll have to put
in some supplies. That’s
extra. On top of the sixteen
Guineas.
PARROT: Extra, extra.
PAUL: Okay, okay.
JERRY: Come with me, the brother-in-
law’s the chandler round here.
SFX: CROSS TO SHIPS SUPPLIES.
(BIRD THROUGHOUT) PEG LEG
JERRY: We’ll need thirty-eight metric
fathoms of hemp rope, extra
rough tops; half a yaffle of
hard tack; a puncheon of salt
meat; a furkin of limes; and
a rundel of port.
PAUL: Wait a minute, Jerry, how long
is this trip?
JERRY: Depends on the tides, but no
more than a couple of days.
PAUL: Well, isn’t that a lot of
port?
JERRY: A rundel, sure tis only 1 and
3 sixteenths of a pipe.
PAUL: A pipe? How much is …
JERRY: Two hogsheads to the pipe
master.
PAUL: Yeah but …
JERRY: Two men, two days, three gills
after lunch, the both of us a
terce after dinner and the
bird likes a drop, which
reminds me we’ll want some
cheese.
PAUL: Cheese?
JERRY: Stilton, yes, and forty pecks
Bridge Mixture. Oh, and a
couple of bags of those
roasted almonds.
PARROT: Smoky flavour, smoky flavour.
PAUL: That all?
JERRY: No. We’ll want to put on a
few dirty magazines. For the
bird.
We sail at the crack of dawn!
PAUL: That is early.
JERRY: Well, how about 11:30, after a
spot of brunch.
PAUL: Sounds good …
SFX: CROSS TO CREAKING SHIP AT SEA.
PAUL STAGGERS ABOUT BELOW
DECKS, KNOCKING THINGS OVER,
CHOKING BACK VOMIT. BIRD
FLUTTERS MADLY ABOUT HIS HEAD
PARROT: Oh my! Oh my! Cultural
magazine!
PAUL: Shut up ! Infernal bird !
PARROT: What’s that noise from
Newfoundland, from
Newfoundland!
PAUL: Where’s your damn owner?
PARROT: What a beauty! Get a load of
those!
SFX: PAUL KNOCKS ON DOOR
PAUL: Jerry ? You in there
…(choking it back) there ?
JERRY: (very drunk, through door)
No, no, get the bird away from
me!
PAUL: The bird’s with me.
JERRY: Don’t hurt the bird! There’s
a curse!
SFX: DOOR OPENS
JERRY: You didn’t hurt the … ah there
you are, Lucy, my pet.
PARROT: My pet, my pet.
PAUL: It’s pretty rough out there,
shouldn’t you be at the wheel?
JERRY: I’m too sick. (choking back
vomit)
PAUL: (just choking back vomit,
can’t get words out)
JERRY: (ditto)
PAUL: (ditto)
JERRY: (ditto)
SFX: HUGE CRASH OF HEAVY SEAS,
WATER FLOODS BELOW DECKS
PARROT: Uh-oh, uh-oh! Decks Awash!
Decks Awash!
JERRY: Arrghhh this is it, Paul,
we’re lost. It’s Davey Jones
Locker for us, laddy!
PAUL: What! This trip was given
three stars in the Tourism
Guide!
PARROT: Take the wheel, take the
wheel!
PAUL: YES! YES! Okay, okay, I’ll
take the G.D. wheel.
SFX: CROSS TO WAVE BATTERED DECK OF
THE SHIP
PARROT: Hard to starboard! Hard to
starboard!
PAUL: Starboard, yes.
PARROT: Port! Port!
PAUL: MAKE UP YOUR MIND!
PARROT: Rundel of port ! MIND! MIND!
520 on the loooong wave!
PAUL: Where’s the island, you stupid
bird ?
PARROT: Land Ho! Land Ho!
PAUL: Avast or avar or thar she
blows, what do you know.
PARROT: Lucy wants a treat! Lucy
wants a treat!
PAUL: I’ll give you a treat !
SFX: PAUL CLUBS BIRD
PARROT: SQUAWWWWK !
SFX: BOAT ENGINE CUTS BACK.
SLOSHING WAVE ACTION NEAR DOCK
PAUL: The human mind harbours a
miraculous capacity to block
out or erase the memory of
pain. So it was that I had
forgotten this island, this
miserable dock, until this
moment. It is now very
familiar.
ERLING: (SHOUTING FROM DISTANCE)
Paul! Paul!
PAUL: (SHOUTING BACK) Erling, come
and give me a hand with the
rope!
ERLING: Did you bring the bird?
PAUL: The bird? She’ll be along
shortly. There’s been a
little hitch.
ERLING: (RUNNING AWAY, SCREAM OF
DESPAIR)
PAUL: Erling, come ba … argghh …
just lay the microphone down
here …
SFX: BANGING OF MICROPHONE
PAUL: (tossing rope off) One … two
… three ….
SFX: SPLASH OF PAUL GOING IN,
HARD CUT TO
PAUL: Phhhtttt. Phhttt. Wednesday,
3:54 pm, on the island after a
brief mishap with boat, no
thanks to Biggs. Phhttt.
Funk Island reprise.
Reports of Erling’s mental
collapse do not seem to have
been exaggerated. He’s
disappeared into the birds.
I’m making my way up the
ancient path to the Repeater
Keeper’s Quarters.
I am in the shadow of the
mighty tower and … there it
is, that old familiar feeling,
40,000 watts of direct current
beneath your feet, the
consequent excitation of the
nerve bundles in the …
extremities … the tissue gates
flung open, the rush of blood
… such a torment when one is
alone.
SFX: CROSS TO MORE WALKING
PAUL: Ahhh, my old friends, the
mysterious stone figures of
the Funks. Mistakenly named
‘Bone Heads’ for their
bleached white appearance,
they are in fact composed
entirely of (Paul slaps giant
stone) White Onyx. What
earlier race struggled to
erect them and why remains an
anthropological conundrum.
Their anguished expression and
poor teeth suggest a Celtic
tribe.
Crimey the … tissue excitation
is much more profound than I
recall … no point in even
attempting to answer the call,
the power’s always on, the
light never goes out, like
being 16 years old. Jeez …
still … oh man.
SFX: TAPE SUDDENLY OFF
PAUL: That worked for all of about
ten seconds. No wonder poor
Erling’s going mental.
Wow, the old shack. I recall
it being smaller, then again
it was built for two men. The
two man crew concept was first
thought to be more humane than
a solo posting, but finding a
team of compatible joes from
the station proved … after two
grisly homicides it was a one
man … I suppose I should
knock.
SFX: KNOCKS ON DOOR, IT OPENS
PAUL: Erling? Erling? Considering
this bloody legacy in
Newfoundland broadcasting I
have elected to keep my tape
recorder running throughout my
visit, a permanent witness in
case the cabin fever has … Hm,
everything looks in ship
shape...
SFX: LOG BOOK PAGES
PAUL: ... the log’s been
fastidiously maintained...
back-up fuel gauge riding
nicely ... Feed from the BCN ?
Check. Bergstrom readings
normal...
SFX: RUBS MOISTURE OFF WINDOW.
PAUL: Look at that, the tower guy
wires polished.
SFX: TURNS UP FEED LEVELS
PAUL: (reacts badly) That’ll drive
anyone mental...
SFX: MOVES TOWARDS OTHER AREA.
PAUL: Look’s like Erlings’ been
doing quite a lot of writing.
In verse. Villanelles. Yep,
definitely over the edge.
“Ode to Gander” ... oh dear,
this is serious. Evidence
here also of … seems he’s been
polishing bullets, and I NOTE
THE RIFLE IS NO LONGER UP ON
THE WALL. Looks bad, what’s
this (reads) ‘Confidential.’
SFX: PAGES TURNING
PAUL: And here it says
“confidential” again, hmmm.
SFX: MORE PAGES TURNING
PAUL: “A Proposal to Mine Auk Guano
on Funk Island, BiggsCo
Excavation International Group
of Companies Supreme.” Wooo.
ERLING: How do you like it?
PAUL: (startled) Whoooah!
ERLING: How do you like it?
PAUL: I … don’t know … I had just
started it and …
SFX: RIFLE COCKED
PAUL: Are you mad? Put that rifle
down, Erling.
ERLING: I’ll be a man of means. I’ve
done some calculations and
figure I’ll be a
boobabazillionaire. I won’t
let you stop me.
PAUL: Stop you from what?
ERLING: Mining the Auk guano. I’ve
discovered that it’s an
extremely potent aphrodisiac.
There’s a fortune to be made.
PAUL: No, no, no Erling, it’s not
the auk guano, it’s the
electromagnetic field
generated from the battery.
ERLING: Battery?
PAUL: There’s forty thousand watts
of direct current buried in
the ground. It effects the
erectile tissue.
ERLING: Oh. I … dear God … (breaks
down weeping)
PAUL: It’s okay, Erling, you’re just
having a nervous breakdown.
It happens. Here, give me the
gun, I’ll make some Ovaltine …
SFX: CROSS TO ERLING SIPPING
OVALTINE
PAUL: … after drinking half a rundel
of port, so it’ll be tomorrow
before he sobers up. Even
then I don’t think he’ll sail
without the bird.
ERLING: It knew the tides.
PAUL: Apparently.
ERLING: Why would he kill the bird?
PAUL: I don’t know. In any event it
looks as though we’re here for
a while, might as well make
the best of it.
Could listen to the radio,
Kyle West is on.
SFX: PAUL RUMMAGING
PAUL: Look, a Scrabble game.
ERLING: That’s a lot help when you’re
out here alone.
PAUL: Do you play?
ERLING: In fact, I’m pretty good.
PAUL: Of course, a man of letters,
so to speak. Shall we?
ERLING: By all means.
CROSS: (MIDDLE OF SCRABBLE GAME)
ERLING: “Cargo” and “rabbit,” got the
double letter here, that’s 33
points.
PAUL: Right! “Yarmulke”, “quiz” and
jeez, look at that, makes
“argyle” too, getting the
triple letter both ways on the
“y”, that’s lucky, triple word
of course, and 27 here, and
the 50 for seven letters, 212
points. Not bad.
ERLING: “Kite”, that’s 8 points.
PAUL: Okay, okay, give me a second …
ah “juniper” and, this is a
coincidence, I swear,
“ignominious”.
ERLING: Yeah, but what’s a “jabiru”?
PAUL: Oh right, “jabiru”, that’s an
extra 39 points. It’s a kind
of stork. Jeez, this is a lot
of numbers to add up.
ERLING: Challenge.
PAUL: Don’t.
ERLING: Challenge!
PAUL: (sighs) Go ahead.
SFX: ERLING FLIPS THROUGH
DICTIONARY. READS. SLAMS IT
SHUT
PAUL: Wellllll? Stork, central and
south America?
SFX: SILENCE. THEN ERLING KNOCKS
BOARD SKY HIGH, TILES RAIN
DOWN
PAUL: Listen, Erling, there’s no
sense getting like that, we
have to fill up the time some
how.
ERLING: Scrabble is out!
PAUL: Well then … How about this … I
spy spy, with my little eye,
something beginning with ‘b’ …
ERLING: OFF! OFF! OFF! I’ve got to
get off this island, NOW!
PAUL: Okay … okay, I’ll take the
boat. I brought the damn
thing in, I can take it out.
CROSS TO:
SFX: BOAT ENGINE IDLING. ERLING
RUNNING DOWN BEACH/WHARF.
PAUL: All set, Erling?
ERLING: Quick, let’s get going. The
auto-monitor will engage any
second -- the initial feedback
could kill us!
PAUL: Cast off! (singing) “with
Gilligan, the Skipper, too,
The Millionaire and his wife”
… Just think Erling, I’m not
even licensed to drive a car.
ERLING: You know what you’re doing,
don’t you?
PAUL: Yesssss … Just point her and
throttle up!
SFX: BOAT ENGINE GUNS
ERLING: Look at that sky.
PAUL: “Red sky at night, sailor’s
delight, red sky at lunch” …
how does that go, bunch,
crunch, hunch, ?
ERLING: Just get me back home.
PAUL: Trust me, Erling. The seas
were pretty bad when I came
over here, how bad can they
get … “the movie star ...”
CROSS TO:
SFX: HELLISH GALE AT SEA
PAUL/ERLING: ARGGGHHHHHHHH!
PAUL: (phht, phht) Day three, 8:47
p.m., --
ERLING: Will you fuck off with the
audio diary, Moth !!
PAUL: Give me that microphone,
Biggs--
SFX: THEY STRUGGLE. BIRD SMASHES
INTO WINDSHIELD OF WHEEL-
HOUSE. CROAKING.
BIRD: Whew what a week, what a week.
PAUL: It’s the bird!
ERLING: I’ll get him.
PAUL: Don’t.
ERLING: It’s our only hope.
SFX: DOOR TO WHEELHOUSE FLUNG OPEN
PAUL: ERLLLLLLLLLLLLING!
SFX: STATION IDENT
PAUL: Oral tradition is strong in
this province. There are many
ominous tales dealing with the
delicate balance between life
and death in Newfoundland.
Several in particular concern
the Funks. Let me quote the
final few quatrains from one
of the most famous, “The
Doomed Prosper Violet.”
The seas roll dark as stygian
pitch,
The winds, uncommon high,
Prayers raised in hope of
sighting land,
This crew knows they will die.
All about lies fear and dread,
Blood runs thin with fright,
The stench of panic fills the
air,
On roars the final night.
I speak the haunted, sole
survivor,
And listener, mark my word,
The Funks claim many blameless
prey,
Who rest there now, submerged.
MUSIC: OUT THEME
PAUL: A journey is over. You have
been listening to The Great
Eastern, live from the Olde
Towne. Our wizard of the
wireless is Hollis Duffett,
and the director of radio is
Ish Lundrigan.
Don’t forget our annual
Listener’s Letters program,
coming up in early November.
If you have a question about
The Great Eastern or the BCN,
send it to us at 342 Duckworth
St., St. John’s, A1C 1H5, or
use our electronic address,
greateastern@stjohns.cbc.ca.
Anybody whose letter we use on
that show will get a BCN tee-
shirt in the mail.
Check our website,
www.greateastern.cbc.ca
My name is Paul Moth, join me
again next week for The Great
Eastern, Newfoundland’s
Cultural Magazine !
SFX: THEME OUT. DOOR OPENS, RUSTLE
OF PAPER
ERLING: (HAVING A HARD TIME WITH IT)
Hello, I’m your weather
watchdog, Erling Biggs with
Traffic Alert. Traffic Alert
brought to you by Furlong
Confections. Whether it’s
butterscotch, bullseyes or
molasses, enjoy a Furlong knob
today.
First, some announcements.
Hogan House residence at UNSJ
is auctioning off belongings
left behind by this year’s
mid-term casualties. The
spoils of academic sorrow hit
the auction block at 6:00
tonight in the dining hall.
All proceeds to the Hogan
House games room expansion
fund.
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